Prometheus: A Summer Movie That Asks The Right Questions

Have you seen Prometheus yet? If you haven’t you may want to stop reading. However, if you’ve decided you don’t want to see Prometheus, then consider this blog post an invitation.

I was able to see Prometheus on June 1 since it had an early release in the UK. I’ve been waiting to write about the movie until it screened in the US this past weekend. I had been eager to see the movie for some time, especially with the early promotional videos (see TED Talk 2023; “David 8“). For one, the movie was announced as a prequel to the Alien quadriology during pre-production (its still true, though it avoids the pitfalls of most prequels, e.g. Star Wars). Yet the main reason why I was eager to see the film was because of Damon Lindelof’s involvement. As an avid fan of LOST, I’m naturally interested in anything any of the writers of that show do, especially when Damon Lindelof is involved. In a manner similar to LOST, the film Prometheus asks some really important questions. Unfortunately, as I evaluate the movie, the film didn’t explore these themes sufficiently for my liking. The movie was good, but not great. As I see it, the best alien related film in recent years was undoubtedly District 9—perhaps the best alien movie of all time? With it’s social commentary on South African apartheid, District 9 was far more than a film about an otherworldly invasion with a fair share of alien guts. It dealt with a very serious issue in a profound and powerful way. For this reason it rightly deserved the Oscar nomination it received for Best Picture. However, Prometheus never transcends its genre: it’s an alien movie.

But let me get back to the questions. Prometheus asks the right questions. It doesn’t answer them and it doesn’t linger on them. In fact, one feels like they’re sprinkled in to give the film a sense of sophistication that isn’t truly present. However, this is why I have included “Summer Movie” in my subtitle. Don’t expect Oscar-worthy material. For what it is – an alien movie – it’s good, it’s fun, it’s thrilling, and it’s full of some very important questions.

The movie is primarily about the origin of life. Several important questions are raised in the process: Where did humanity come from? Why are we here? Where do we go when we die? What is the relationship between science and faith? What does it mean to be a “creator”? All of these questions are significant. Essentially, the movie suggests that aliens are the initiators of life on Earth. It is interesting that even with this point, the main protagonist – who wears a cross around her neck – never falters on her faith. She realizes that the aliens must have had an origin as well: which seems to set up something like an Unmoved Mover or First Cause (an Ultimate being).

The reason I like the movie and wish to commend it is because I think this is the kind of movie that can get people talking. Perhaps Christians should use Prometheus as an opportunity to share their faith with their non-Christian friends. I’d recommend inviting friends to see the movie and then grab coffee afterwards. Prometheus raises the questions so it wouldn’t be awkward or random to talk about faith (for those who wish for such conversations not to feel “forced”).

As I evaluate Prometheus on the whole, I think about the trajectory that science is on. I’m not suggesting that Prometheus is a good indicator of the state of modern science. But it does reflect the current Zeitgeist. I think people are starting to realize that we didn’t get here by purely naturalistic processes. The explanation that aliens are the originators of life on Earth is rubbish, but it’s a wonderful open door. The Intelligent Design movement has been moving forward for a few years now trying to demonstrate that good science can be done while assuming that a Designer of some sort might be behind the cosmos. If we can add aliens to the mix of scientific explanations of life, why not God?

 

John Anthony Dunne

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2 responses to “Prometheus: A Summer Movie That Asks The Right Questions”

  1. Jon Baker

    John,

    I’m so glad you posted about this movie. Ever since we saw it last week, I have been eager to discuss my many questions (in part because we saw it in Russian and I missed half the dialogue!). I am somewhat reserved to ‘dig deeply’ behind the scenes (at the risk of my own embarrassment) but here goes nothing. 🙂

    Whatever the writers’ artistic prowess, it seems the movie cannot help but to comment on the relationship between man and his maker. More specifically, what are the implications of turning ‘creator’ into analytical subject? Prometheus, in Greek thought, symbolizes the point of contact between man and maker (the divine fire that fuels human inquiry). Do you think it coincidence/irrelevant, then, that the two Christian symbols (the cross pendant and the Christmas tree) represent also this point of contact in ‘Christianized Greece’ (the modern western world)? Long story short, the metanarrative of this movie employs a dramatic reversal when mankind takes upon himself the role of ‘Prometheus’; the results are much the same, and maker rebels against man.

    I am also curious as to whether you see the Greek myth portrayed in this film. In one story, Promotheus himself used the divine fire to give life to the head of a human statue; yet scientists aboard the ‘Prometheus’ fail to bring life to the alien head (it wriggles but then explodes). Is there a question being explored through this strange scene? What about the large statue of the head, around which ‘organics’ are awaiting some sort of ‘life spark’?

    Why is the robot named David? Or the hopeful woman surprised by pregnancy named Elizabeth? Why are the geologist/biologist swallowed/infected by their ‘makers’ after fearing the ‘unnatural’ results of this research (of which they were skeptical)? And why does the geologist have an ugly mohawk? 🙂

    I guess I have many questions, some of which may be answered by watching the movie in the original language… But I am anxious for your feedback nonetheless.

    Jon

  2. Ryan Lunde

    John,
    A great review! You are totally right to say Prometheus reflects to Zeitgeist of the times. Even if the technology of the future isn’t here, the imagination definitely is. And yet, there is some malignant in this imagination which I fear… Perhaps it is pride.

    The film was probably one of the grittier sci-fi films I’ve seen (even judging on the standard of previous Alien-Pred. films), but it was one I became to respect at some level as the plot continued.

    ***SPOILER ALERTS***

    It seemed that in spite of the film’s portrayal of human curiosity (along with our courage and resourcefulness), there was an inevitable and desperate hopelessness I felt from the beginning on their mission.

    The vision of Weyland Industries is the brainchild of a man trying to attain immortality, first through the legacy of his android “son”, David, then through his misguided attempt to cheat death itself – both of which fail miserably.

    If there is one thing the movie portrays well it is the desperation which humans search for not only the answers to our deepest, fundamental questions, but also for the salve with which to treat our deepest pains and struggles. Even though it is not evident until later in the film, the search for our origin ultimately seeks to answer (and hopefully address) our death.

    I found the questions the film entertained to be refreshingly irenic. In a time when Richard Dawkins and Stephen Hawking represent a seemingly monolithic hatred of religion from the scientific establishment, Prometheus allows an open consideration in outer-space and provides a place for faith in the future imagination.

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