Of Halloween & Horror Movies: What the Hell?

On Halloween it’s good to ask, why are people drawn to what horrifies and terrifies them?  Robert California, played by James Spader, has this sobering nugget to say from the most recent episode of The Office (Episode 5 of Season 8: Spooked):

Fear plays an interesting role in our lives.  How dare we let it motivate us.  How dare we let it into our decision making, into our livelihoods, into our relationships.  It’s funny isn’t it?  We take a day a year to dress up in costume and celebrate fear.

So why do we celebrate fear?  What’s the appeal?  If you enjoy Halloween and Horror movies but don’t have an answer for this question that’s a problem.  Although it may seem odd, I believe that it’s actually possible to have a distinctly Christian rationale for the genre.

Two common objections to the Horror genre that I’ve heard before:  1) There is enough Horror in the world so why would anyone watch these types of movies?  2) The Horror genre desensitizes viewers to violence.  I certainly cannot speak for everyone, but personally I get uneasy about the littlest things in real life.  I don’t like Horror movies for the gore, or the “cool death scenes.”  Now, I certainly would also not want to watch a Horror movie with someone who was completely uncomfortable with it.  I’ve had bad experiences before.  One time in college my former girlfriend and I went to see a re-make of Wes Craven’s famous, The Hills Have Eyes.  We had been looking forward to the movie, but halfway through my former girlfriend became very disturbed and began hitting me on my arm.  Since hitting, slapping and squeezing other movie-goers is normal behavior at a Horror movie I was ignorant of her true intentions.  Finally she hit me so hard that I figured it out.  When I turned and saw her she was balling.  I felt completely miserable.  We left the theatre and to this day I haven’t finished the movie (by the way we didn’t break up because I took her to see that movie!).  Of course, Horror movies are not for everyone.  There is likely a Romans 14 principle at work here (this is why Michael Bird refers to himself as the ‘weaker brother’ when it comes to Halloween).

Truth be told, as I get older I’ve realized that I actually enjoy the genre less and less.  Really what has happened is that I’ve realized that a lot of the genre is full of complete rubbish, which has made me narrow my appreciation a bit.  In High School my friends and I went to see every new Horror movie that came out, but now I’m very selective.  I’m not a fan of the slasher-hacker style horror movies that are essentially mindless.  I haven’t personally found much redeeming quality there.  This also includes the ridiculous Sorority-party-massacre style Horror movies, or the so-called the Gore-Porn style movies.  Personally, my absolute favorites within the Horror genre are psychological-thrillers, such as Seven, Silence of the Lambs, Shutter Island, etc… I also enjoy the classic Monster movies about Vampires, Werewolves, Zombies, and Aliens I always have a fun time wondering about how these myths originated.  To let you in on a little secret, I’m half convinced that Werewolf mythology developed as a parody against the female monthly cycle (don’t act like there isn’t a parallel there), but I could be convinced that Judaism is the original background.

Regardless of my Horror movie preference, where is the value of the genre?  It may seem counter-intuitive, but some filmmakers have found the Horror genre to be an effective means of tackling life’s biggest questions.  Wes Craven, the famous Horror movie director, was actually raised an evangelical Christian and even attended Wheaton College and received a Master’s in philosophy from John’s Hopkins University.  Craven eventually became disillusioned by religion because of the strict upbringing he had, but he views filmmaking as a way to express his deeper longings.  Another filmmaker with a Christian upbringing is Scott Derrickson, the Biola University Alum who directed The Exorcism of Emily Rose.  For Derrickson, Horror is “The Perfect Christian Genre” as he explained to Christianity Today.  His words sum up wonderfully how a Christian should respond to the genre:

To me, this genre deals more overtly with the supernatural than any other genre, it tackles issues of good and evil more than any other genre, it distinguishes and articulates the essence of good and evil better than any other genre, and my feeling is that a lot of Christians are wary of this genre simply because it’s unpleasant.  The genre is not about making you feel good, it is about making you face your fears.  And in my experience, that’s something that a lot of Christians don’t want to do.

Whether we appreciate the medium or not, the Horror genre places the right questions in one’s mind.  These types of movies draw us to ask questions like: What really happens when I die?  What will bring an end to all the evil in the world?  Is there a standard for true goodness?  In order for these questions to have any meaningful affect on a viewer a Horror movie must present evil as evil.  If not, then the movie may not offer much for theological reflection.  A natural question that may arise at this point is, well couldn’t I get this message from another source?  This is true.  But there is something about becoming unsettled that is important I think.  The Biblical authors knew this quite well.  Using graphic imagery can provoke the reader in a way that softer language may not communicate.  If John the author of the Revelation had been given the inspired ability to make a movie rather than write a letter what do you think it would be rated?  How graphic would the images be?  How horrifying the content?  As an inspired director, would he seek to emphasize the terror and accentuate it or would he back off?  Certainly his written images do not “let up,” so to speak.

Ultimately then, I’m convinced that Horror movies have the potential to provide a collision with the deeper questions of life, more than say a Romantic Comedy or an Action film.  In a Horror movie one is confronted with the ugliness of the world and the dark implications of the Fall; there the viewer undergoes a process that can lead to overcoming the fear created by the movie.  As Wes Craven said in an interview with beliefnet.com, “When an audience leaves a scary movie, something has been released, something has been exorcised.”  Then when stepping back out into the broader world where even darker Horrors exist, the viewer is forced to respond.  While viewing a movie, one is passive.  The viewer is unable to aid her Television friends as she watches them on screen, but after the movie is over, and she steps back into reality, she can act and respond.  Note again Craven’s perceptive comments,  “Horror films somehow come and confront the dark, incomprehensible side of humanity.  They’re very much like an inoculation against a deeper and darker and more frightening reality.”  I think there is a lot of truth to this.  There truly are greater horrors in the world than we will ever see in any movie.  Thus, as a Christian, I find Horror movies to be an invitation for deep reflection, an opportunity for repentance, and a call to action against the injustice of our world. This is why John Mark Reynolds can “Thank God For Halloween.”  A time of reflection on death in October leads to a time of relfection on the life that came to end all death in December.  Again, the genre is not for everyone, but if you enjoy Horror movies like I do, ask yourself why.  There is a properly Christian way to engage the genre lying at hand believe it or not.

John Anthony Dunne

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7 responses to “Of Halloween & Horror Movies: What the Hell?”

  1. Andrew Kelley

    John,

    I think that this is a thoughtful response to Christian perspectives on the horror genre. But I have one question. Whereas I don’t disagree that horror as a genre is intrinsically wrong, there is something about this category of story telling that has lent itself to being hi-jacked by all sorts of terrible themes. You make a point that gore-porn isn’t your thing (and you would probably argue that it shouldn’t be anyone’s thing), and I get that, but then why is there so much of it? You also say that slashers aren’t really your thing (and we could probably agree that excessive gore isn’t all that righteous) but again, why is there so much of it?

    Maybe more succinctly, why are there so few horror films (such as Shutter Island) which might be considered unadulterated horror? Why has this genre in particular become the catch all for sex and violence? And does this reality maybe say something about the genre itself? (okay, maybe more than one question).

    1. John Anthony Dunne

      Andrew, thanks for your comments. Your criticisms are fair and reasonable. My initial thought though is that other genres have been “hi-jacked” as well. Comedies can be decently wholesome but they can also digress into quite a mess with sexs, drugs, and all the rest. Of course, Actions movies are capable of the same. So I would say that there are a lot of bad Horror movies. You’re absolutely right. But I would not agree that it is the genre’s fault necessarily. Anything can be taken too far. Does that make sense?

      1. Andrew Kelley

        I think I agree with what you are saying and I definitely would admit that the same problems exist in other genres, so it is unfair to pick on horror. But, in a very unresearched, myopic sense, I get the sense that horoor genres have it worse in that area than others. Maybe this is just an issue of warped perception.

  2. I’ve been working in the industry for almost a year now, and the number of times I get this question is ridiculous, but the number of times I’m able to really sit and think about it are slim to none. So first of all, thank you for addressing it and giving me the time to process it.

    I really came face to face with the disparity between horror and Christrian culture when my sister told me that her friends had informed her of their concern for my spiritual welfare as a side effect of working in the horror industry. The “concern” honestly offended me and I ranted to my sister about the importance not only of the genre itself, but also for Christians to be working in it.

    I often quote Craven and Derrickson as you did, and its also really important to mention the evangelical effect that these films can have on non-Christians. The distincion between good and evil is more clear in horror movies than any other genre, I would argue. Also as you mentioned, its important to make the audience uncomfortable and even vulnerable sometimes to get them to a place where they are willing to consider and accept ideas they normally wouldn’t.

    An excellent horror film from 1995 called The Addiction, whether intentionally or not, makes the comparison between sin and Vampirism. Essentially, both are addictions- strong ones. It asks whether there is a way to resist something that is a part of you and always will be. (With a special cameo by none other than Christopher Walken, as the Vampire/mentor.)

    1. John Anthony Dunne

      Natalie, thank you so much for your comments and for opening up about some of your experiences. I’ll have to check out the Addiction when I’m back in the States (Scotland won’t let me use Netflix unfortunately). I’m glad that you’re able to work in that industry and find it to be a fruitful place for Christians. You have such a great opportunity! This is a very encouraging response to my post so thanks for reading it and taking the time to write this. Of course you also know how incredibly jealous I am of your cool job!

  3. Wes

    Let’s not forget that in the 70’s, there were such things as Christian horror films. Anyone familiar with the movie “A Thief In The Night” and it’s sequels. People consider it to be a ‘Christian movie’ or a ‘religious movie’, but it has all the ingredients of being a ‘horror movie’. Or what about the lesser known ‘The Burning Hell’. Or what about some of those Jack Chick comic books like ‘The Crusaders’. Those comics scared me more than ‘The Exorcist’ or ‘The Texas Chain Saw Massacre’ ever did.

  4. […] What is obvious about Cabin in the Woods is that it is subversive. Although a celebration of the horror genre, it is simultaneously a critique. By all appearances this movie is simply another generic horror flick. It’s called Cabin in the Woods for goodness sake—how bland can you get! But this is all set-up for the subversive nature of the movie. Several common horror-movie tropes are exploited and given a (playful) rationale so as to explain and excuse some of the silliest of all tropes—such as, the over-sexualized blonde girl, the arrogant jock, the “virgin”, the creepy gas-station with even creepier clerk, the GPS not working, and phrases like, “let’s split up.” This is what makes Cabin in the Woods so much fun for those who enjoy the Horror genre and especially the classics like The Evil Dead franchise, to which Cabin in the Woods is a clear homage with its replica Cabin (PS at this point I should direct those of you who find the genre questionable to an earlier post of mine). […]

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